{"id":38,"date":"2025-12-17T17:50:57","date_gmt":"2025-12-17T17:50:57","guid":{"rendered":"https:\/\/inhadlab.mycafe24.com\/?page_id=38"},"modified":"2026-02-02T03:36:50","modified_gmt":"2026-02-02T03:36:50","slug":"professor","status":"publish","type":"page","link":"https:\/\/d-lab.kr\/?page_id=38","title":{"rendered":"Professor"},"content":{"rendered":"\n
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\ubc15 \uc9c4 \ud638\u00a0<\/strong>
Jin-Ho Park, Ph.D.<\/h2>\n\n\n\n
<\/td><\/tr>
 Address<\/strong> : Department of Architecture, Inha University
#253 Yonghyun-dong, Nam-gu, Incheon 402-751 Korea
Telephone<\/strong> : +82-32-860-7597
E-mail<\/strong> : jinhopark@inha.ac.kr
Homepage<\/strong> : http:\/\/www.jinhopark.co.kr<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n
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\uad50\uc721\uacbd\ub825\u00a0(TEACHING EXPERIENCE)<\/strong><\/h2>\n\n\n\n
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2004-\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/h2>\n<\/div>\n\n\n\n
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\uc778\ud558\ub300\ud559\uad50 \uac74\ucd95\ud559\uacfc \uad50\uc218\u00a0<\/h3>\n\n\n\n

Professor Department of Architecture, Inha University, Korea<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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2014-2015<\/h2>\n<\/div>\n\n\n\n
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\uc778\ud558\ub300\ud559\uad50, \ub300\ud559\uc6d0, \ubd80\uc6d0\uc7a5<\/h3>\n\n\n\n

Vice Dean, Graduate Division<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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2010-2012<\/h2>\n<\/div>\n\n\n\n
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\uc778\ud558\ub300\ud559\uad50, \uacf5\uacfc\ub300\ud559, \uac74\ucd95\ud559\ubd80, \ud559\ubd80\uc7a5<\/h3>\n\n\n\n

Chair, Department of Architecture and Architectural Engineering<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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2008-2010<\/h2>\n<\/div>\n\n\n\n
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\uc778\ud558\ub300\ud559\uad50, \uacf5\uacfc\ub300\ud559, \uac74\ucd95\ud559\uacfc, \ud559\uacfc\uc7a5<\/h3>\n\n\n\n

Chair, Department of Architecture<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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2004-2005<\/h2>\n<\/div>\n\n\n\n
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\ubbf8\uad6d \ud558\uc640\uc774\uc8fc\ub9bd\ub300, \uac74\ucd95\ub300\ud559, \ubd80\uad50\uc218 (\uc885\uc2e0\uad50\uc218)<\/h3>\n\n\n\n

Associate Professor\u00a0School of Architecture, University of Hawaii at Manoa, USA<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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1998-2004<\/h2>\n<\/div>\n\n\n\n
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\ubbf8\uad6d \ud558\uc640\uc774\uc8fc\ub9bd\ub300, \uac74\ucd95\ub300\ud559, \uc870\uad50\uc218 (\uc885\uc2e0\uad50\uc218)<\/h3>\n\n\n\n

Assistant Professor with tenure\u00a0School of Architecture, University of Hawaii at Manoa, USA<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\uc218\uc0c1 \ubc0f \uc7a5\ud559\uae08 (AWARDS\/FELLOWSHIPS)<\/strong><\/h2>\n\n\n\n
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2014<\/h3>\n<\/div>\n\n\n\n
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Journal of Asian Architecture and Building Engineering,\u00a0\ucd5c\uace0\ub17c\ubb38\uc0c1(Best Paper Award)<\/h3>\n\n\n\n

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2013<\/h3>\n<\/div>\n\n\n\n
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Wooden Design Competition\u00a0\uc8fc\ud55c \uce90\ub098\ub2e4 \ub300\uc0ac\uc0c1(\ub300\uc0c1)<\/h3>\n\n\n\n

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2011<\/h3>\n<\/div>\n\n\n\n
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\ubaa9\uc7ac\ubb38\ud654\ud3ec\ub7fc,\u00a0\ub300\ud55c\ubbfc\uad6d\ubaa9\uc870\uac74\ucd95\ub300\uc804 \uc900\uacf5\ubd80\ubd84 \ubcf8\uc0c1(2\ub4f1\uc0c1)<\/h3>\n\n\n\n

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2009<\/h3>\n<\/div>\n\n\n\n
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\ub300\ud55c\uac74\ucd95\ud559\ud68c, \ud2b9\ubcc4\uc0c1 \ubb34\uc560\uac74\ucd95\uc0c1<\/h3>\n\n\n\n

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2007<\/h3>\n<\/div>\n\n\n\n
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2005<\/h3>\n<\/div>\n\n\n\n
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AABE \ucd5c\uace0\ub17c\ubb38\uc0c1\u00a0<\/h3>\n\n\n\n

The Journal of Asian Architecture and Building Engineering (JAABE)\u00a0
Best Paper Award 2002-3<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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2003<\/h3>\n<\/div>\n\n\n\n
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\ubbf8\uad6d \uac74\ucd95\ud559\ud68c, \uc2e0\uc784 \uad50\uc218\uc0c1<\/h3>\n\n\n\n

The ACSA\/AIAS New Faculty Teaching Award, The 91st ACSA (Association of Collegiate Schools of Architecture) Annual Meeting in Louisville, Kentucky, March 14-17, 2003.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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2002<\/h3>\n<\/div>\n\n\n\n
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\ubbf8\uad6d \uac74\ucd95\ud559\ud68c, \uc2e0\uc784 \uad50\uc218\uc0c1<\/h3>\n\n\n\n

The ACSA\/AIAS New Faculty Teaching Award, The 91st ACSA (Association of Collegiate Schools of Architecture) Annual Meeting in Louisville, Kentucky, March 14-17, 2003.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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1998\/99<\/h3>\n<\/div>\n\n\n\n
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\ubbf8\uad6d \uac74\ucd95\ud559\ud68c, \uc2e0\uc784 \uad50\uc218\uc0c1<\/h3>\n\n\n\n

The ACSA\/AIAS New Faculty Teaching Award, The 91st ACSA (Association of Collegiate Schools of Architecture) Annual Meeting in Louisville, Kentucky, March 14-17, 2003.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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1996\/7<\/h3>\n<\/div>\n\n\n\n
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\ubbf8\uad6d \uac74\ucd95\ud559\ud68c, \uc2e0\uc784 \uad50\uc218\uc0c1<\/h3>\n\n\n\n

The ACSA\/AIAS New Faculty Teaching Award, The 91st ACSA (Association of Collegiate Schools of Architecture) Annual Meeting in Louisville, Kentucky, March 14-17, 2003.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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1996<\/h3>\n<\/div>\n\n\n\n
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\ubbf8\uad6d \uac74\ucd95\ud559\ud68c, \uc2e0\uc784 \uad50\uc218\uc0c1<\/h3>\n\n\n\n

The ACSA\/AIAS New Faculty Teaching Award, The 91st ACSA (Association of Collegiate Schools of Architecture) Annual Meeting in Louisville, Kentucky, March 14-17, 2003.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\uc800\uc11c \ubc0f \ud3b8\uc9d1\uc11c (Book)<\/strong><\/strong><\/h2>\n\n\n\n
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2015<\/h3>\n<\/div>\n\n\n\n
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\uac74\ucd95\uc801 \uc2e4\ud5d8\uacfc \uad50\ud6c8(\ucc3d\uc758\uc801 \ub514\uc790\uc778\uc744 \uc704\ud55c)Architectural Experiments and Lessons (towards Innovative Designs),\u00a0\uc2dc\uacf5\ubb38\ud654\uc0ac<\/h3>\n\n\n\n

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2014<\/h3>\n<\/div>\n\n\n\n
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Designing the Ecocity-In-The-Sky,\u00a0Mulgrave, Victoria: Images Publishing Group Ltd,2014<\/h3>\n\n\n\n

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2013<\/h3>\n<\/div>\n\n\n\n
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\ud604\ub300\uac74\ucd95\uc758 \ub2e8\uba74\uacfc \uc7a5\uba74, \uc2dc\uacf5\ubb38\ud654\uc0ac, 2013<\/h3>\n\n\n\n

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Graft in Architecture: Recreating Spaces,Mulgrave, Victoria: Images Publishing Group Ltd,2013<\/h3>\n\n\n\n

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2010<\/h3>\n<\/div>\n\n\n\n
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\uc11c\uc6b8 \uc131\uacfd, \uadf8 \uacbd\uacc4\ub97c \ub118\uc5b4 (Seoul Fortress wall, Boundary and Beyond), \uc2dc\uacf5\ubb38\ud654\uc0ac, 2010.<\/h3>\n\n\n\n

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2008<\/h3>\n<\/div>\n\n\n\n
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Expired Housing, \uc2dc\uacf5\ubb38\ud654\uc0ac, 2008.<\/h3>\n\n\n\n

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2003<\/h3>\n<\/div>\n\n\n\n
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Editor,\u00a0Proceedings for the Fifth International Symposium of Asian Pacific Architecture<\/em>, University of Hawaii at Manoa, Honolulu, Hawaii, 2003.<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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2001<\/h3>\n<\/div>\n\n\n\n
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Editor,\u00a0Proceedings for the Fourth International Symposium of Asian Pacific Architecture<\/em>, University of Hawaii at Manoa, Honolulu, Hawaii, 2001.\u00a0<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\uc800\uc11c (Chapterd)<\/strong><\/strong><\/strong><\/h2>\n\n\n\n
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2021<\/h3>\n<\/div>\n\n\n\n
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Alternative Design Strategies for Building Screens, in A New Perspective of Cultural DNA, pp.<\/h3>\n\n\n\n

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Alternative Design Strategies for Building Fa\u00e7ades<\/h3>\n\n\n\n

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2020<\/h3>\n<\/div>\n\n\n\n
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Design Exploration and Fabrication Using Industrial Robotic Arm, ICSCEA2019, pp. 135-142.<\/h3>\n\n\n\n

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Adaptive and Variable Building Envelops: Formal Methods and Robotic Fabrication, ICSCEA2019, pp.117-124.<\/h3>\n\n\n\n

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Formal Techniques for Emergent Architectural Designs, ICSCEA2019, pp.43-55.<\/h3>\n\n\n\n

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2018<\/h3>\n<\/div>\n\n\n\n
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Underlying Principles and Emerging Designs Based on Magic Squares, in Computational Studies on Cultural Variation and Heredity, pp,33-45.<\/h3>\n\n\n\n

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2017<\/h3>\n<\/div>\n\n\n\n
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Frieze Symmetry as an Underlying Principle of Housing Elevation Designs,\u00a0Morphological Analysis of Cultural DNA: Tool for Decoding Culture-Embeded Forms, Springer, pp49-58\u00a0<\/h3>\n\n\n\n

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2016<\/h3>\n<\/div>\n\n\n\n
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Robotics-Based Prefabrication in Architecture, Robotic Fabrication in Robotic Fabrication\u00a0in Architecture, Art and Design 2016, Springer International Publishing, pp274-283.<\/h3>\n\n\n\n

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\ud559\uc220\ub17c\ubb38 (Research Articles)<\/strong><\/strong><\/strong><\/h2>\n\n\n\n
1. \uad6d\uc81c\uacf5\uc778\ud559\uc220\uc9c0(International Referred Journal, SCI(E), SSCI, A&HCI)<\/h5>\n\n\n\n
2020<\/td>Combinatorial Possibilities and Enumerations for Housing Designs: Gregory Ain\u2019s Mar Vista Tract (1946-48), Nexus Network Journal, forthcoming.<\/td><\/tr>
2020<\/td>On Proportional Design and Diagonal Planning in R.M. Schindler’s Beach House of 1936\/38 for Anna Loga Zacsek, Journal of Asian Architecture and Building Engineering, 19(2):166-175.<\/td><\/tr>
2019<\/td>Arraying Prototypical Houses in Strip Patterns: Gregory Ain’s Park Planned Homes of 1946-49, Nexus Network Journal, 21(3): 623-639, 2019<\/td><\/tr>
2019<\/td>Reem Abdelkader and Jin-ho Park, “Sustainable Building Fa\u00e7ades: Modern Usages of the Traditional Mashrabiya,\u201d Open House International, forthcoming<\/td><\/tr>
2019<\/td>Reem Abdelkader and Jin-ho Park, “Spatial Principles of Traditional Cairene Courtyard Houses in Cairo”, Journal of Asian Architecture and Building Engineering, forthcoming<\/td><\/tr>
2018<\/td>Jin-ho Park,\u00a0“Subsymmetries for the Analysis and Design of Housing Facades,\u201d Nexus Network Journal, forthcoming<\/td><\/tr>
2018<\/td>Jin-ho Park,\u00a0“Paper Tube Emergency Shelter: Design Experiments for Refugees”,\u00a0Open House International, forthcoming<\/td><\/tr>
2018<\/td>Reem Abdelkader and Jin-ho Park, “Sustainable Building Fa\u00e7ades: Modern Usages of the Traditional Mashrabiya,\u201d Open House International, forthcoming<\/td><\/tr>
2018<\/td>Reem Abdelkader and Jin-ho Park, “Spatial Principles of Traditional Cairene Courtyard Houses in Cairo”, Journal of Asian Architecture and Building Engineering, forthcoming<\/td><\/tr>
2017<\/td>Jin-ho Park, “Subsymmetries for the Analysis and Design of Housing Facades,\u201d Nexus Network Journal, forthcoming<\/td><\/tr>
2017<\/td>Jin-ho Park, “Paper Tube Emergency Shelter: Design Experiments for Refugees”, Open House International, forthcoming<\/td><\/tr>
2017<\/td>Reem\u00a0Abdelkader\u00a0and Jin-ho Park, “The Evolving Transformation of Mashrabiya as a Traditional Middle Eastern\u00a0Architecture Element,\u201d International Journal of Civil & Environmental Engineering, 17(1): 15-20<\/td><\/tr>
2015<\/td>Jin-ho Park,\u00a0“House Growing out of site”: The Case of Rudolph M. Schindler”,\u00a0Journal of Asian Architecture and Building\u00a0\u00a0Engineering, 14\u00a0\u00a0(3): 513-520<\/em><\/td><\/tr>

\u00a02014<\/td>		Jin-ho Park, “The Superimposition of Circles Cut into Louis I Kahn\u2019s Building Fa\u00e7ades”,\u00a0Journal of Asian Architecture and Building Engineering, 13(2), pp<\/em><\/td><\/tr>
2013<\/td>Jin-ho Park, “Lessons from Vietnamese Urban Street Houses for Contemporary High-rise Housing”, Open House International, 38(2), pp31-46<\/td><\/tr>
2013<\/td>Jin-ho Park, “The Underlying Geometry in Rudolph M. Schindler\u2019s Packard House”, Journal of Asian Architecture and Building Engineering 12(1), pp1-15<\/td><\/tr>
2012<\/td>Jin-ho Park, “The Interplay of Modular Idea and Symmetry in Rudolph M. Schindler\u2019s Housing”, Journal of Asian Architecture and Building Engineering (Vol. 11, No. 4, pp335-342)<\/td><\/tr>
2011<\/td>Jin-ho Park, “Applying Eco-features of Traditional Vietnamese Houses to Contemporary High-rise Housing”, Open House International, (Vol. 36, No.4, pp32-45)<\/td><\/tr>
2009<\/td>Jin-Ho Park and Hong-kyu Lee, \u201cThe Proportional Design in Rudolph M. Schindler\u2019s Braxton-Shore House of 1930\u201d,Journal of Asian Architecture and Building Engineering , Vol. 8, No. 1, pp.33~39.<\/td><\/tr>
2009<\/td>Hong-kyu Lee and Jin-Ho Park, \u201cStructuring Vertical Space: Relationship between Chants and Cathedral Naves in the Medieval Period,\u201d Journal of Asian Architecture and Building Engineering, Vol. 8, No. 1, pp.25~32.<\/td><\/tr>
2009<\/td>Jin-Ho Park, et al, \u201cAbstract Neo-plasticity and Its Architectural Manifestation in the Luis Barragan House\/Studio of 1947,\u201d The Mathematical Intelligencer. Vol. 30, No. 1, pp.63-72.<\/td><\/tr>
2008<\/td>Iasef Md Rian, Jin-Ho Park, Hyung Uk An,\u201cApplication of Pop-Up Technique of Origamic Architecture to the Post-Tsunami Deployable Shelters\u201d, Open House International, Vol.33, No.1, pp. 22-36.<\/td><\/tr>
2007<\/td>Iasef Md Rian, Jin-Ho Park, Hyung-wook An,\u201cFractal Geometry as the Synthesis of Hindu Cosmology in Kandariya Mahadev Temple, Khajuraho,\u201d Building and Environment,Vol. 42, No. 11, pp. 4093-4107.<\/td><\/tr>
2007<\/td>Jin-Ho Park, Yongsun Joo, and Jae-Guen Yang (2007). \u201cCycloids in Louis I. Kahn\u2019s Kimbell Art Museum at Fort Worth, Texas,\u201d The Mathematical Intelligencer. Vol. 29, No. 2, pp. 42-48.<\/td><\/tr>
2006<\/td>Jin-Ho Park, \u201cArraying Alternative Archetypes: A Computational Model,\u201d Journal of Architectural and Planning Research, Vol.23, No.3, pp.235-246.<\/td><\/tr>
2006<\/td>Jin-Ho Park, \u201cA Highrise Urban Village: A Framework for Tectonic Mutation,\u201d Open House International, Vol.31, No.3, pp.32-42.<\/td><\/tr>
2006<\/td>Jin-Ho Park, \u201cThe Stylistic Characteristics of the Shampay House of 1919: A Formal Analysis\u201d, Nexus Network Journal: Architecture and Mathematics, Vol.8, No.1, pp.17-32.<\/td><\/tr>
2006<\/td>Jin-Ho Park, “Properties of Rudolph Michael Schindler\u2019s Houses in Los Angeles Areas,” The Mathematical Intelligencer. Vol. 28, No. 1, pp.40-49.<\/td><\/tr>
2006<\/td>Jin-Ho Park, \u201cR. M. Schindler\u2019s Theory of Space Architecture and Its Theoretic Application to Space Development of 1945,\u201d The Journal of Architecture,  Vol. 11, No. 1, pp.37-54.<\/td><\/tr>
2005<\/td>Jin-Ho Park, “Early Shape Morphing: Metamorphosis of Polygons in Antoni Gaudi’s Sagrada Familia<\/em> Cathedral and Le Corbusier\u2019s Firminy<\/em> Chapel,” Journal of Asian Architecture and Building Engineering, Vol 4, No 1, pp.25-30.<\/td><\/tr>
2004<\/td>Jin-Ho Park, \u201cAn Integral Approach to Design Strategies and Construction System: Rudolph M. Schindler\u2019s Panel Post Construction,\u201d Journal of Architectural Education, Vol. 57. No 4, pp.29-38.<\/td><\/tr>
2004<\/td>Jin-Ho Park, \u201cSymmetry and Subsymmetry as Characteristic of Form-making \u2013 The Schindler Shelter,\u201d Journal of Architectural and Planning Research, Vol. 21, No.1, pp. 24-37.<\/td><\/tr>
2003<\/td>Jin-Ho Park, \u201cRudolph M. Schindler: Proportion, Scale and the \u2018Row\u2019,\u201d Nexus Network Journal: Architecture and Mathematics (NNJ), Vol. 5, No. 2, pp.60-72.<\/td><\/tr>
2003<\/td>Jin-Ho Park, “Precedent and Progress of an Idea: F. L. Wright’s Quadruple Building Block and R. M. Schindler’s Schindler Shelter,” Journal of Asian Architecture and Building Engineering, Vol.2, No. 2, pp. 145-152.<\/td><\/tr>
2003<\/td>Jin-Ho Park and Lionel March, “Space architecture: Schindler’s 1930 Braxton-Shore project,” Architectural Research Quarterly (ARQ), The Cambridge Univ. Press. Vol. 7, No. 1, pp. 51-62.<\/td><\/tr>
2002<\/td>Jin-Ho Park and Lionel March, \u201cThe Shampay House: Authorship and Ownership,\u201d Journal of the Society of Architectural Historians, Vol. 61, No. 4, pp. 470-479.<\/td><\/tr>
2001<\/td>Jin-Ho Park, \u201cAnalysis and Synthesis in Architectural Designs: A Study in Symmetry,\u201d Nexus Network Journal: Architecture and Mathematics, Vol. 3, No. 1, pp. 85-97.<\/td><\/tr>
2000<\/td>Jin-Ho Park, \u201cSubsymmetry Analysis of Architectural Designs: Some Examples,\u201d Environment and Planning B: Planning and Design, Vol.27, No.1, pp. 121-136.<\/td><\/tr>
1996<\/td>Jin-Ho Park, \u201cSchindler, Symmetry and the Free Public Library, 1920,\u201d Architectural Research Quarterly (ARQ), Vol.2, No.2, pp. 72-83.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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2. \uad6d\ub0b4\ud559\uc220\ub4f1\uc7ac\uc9c0 (National Referred Journal)<\/h5>\n\n\n\n
2017<\/td>\ubc15\uc9c4\ud638,\u00a0\ubd81\ucd0c \ub9ac\ub178\ubca0\uc774\uc158 \ud55c\uc625 \ucc3d\ud638\uc758 \uc720\ud615\uacfc \ubcc0\uc774\uc5d0 \uad00\ud55c \uc5f0\uad6c,\u00a0\ud55c\uad6d\uc2e4\ub0b4\ub514\uc790\uc778\ud559\ud68c\ub17c\ubb38\uc9d1, 26\uad8c \ud638, pp.33-40.<\/td><\/tr>
2015<\/td>\ubc15\uc9c4\ud638,\u00a0“\ud06c\ub85c\uc544\ud2f0\uc544\u00a0\uac74\ucd95\uac00\u00a0\ub4dc\ub77c\uace0\u00a0\uac08\ub9ac\uce58\uc758\u00a0\uc9d1\ud569\uc8fc\uac70\uc758\u00a0\uac74\ucd95\ud2b9\uc131\uacfc\u00a0\uc720\ub2c8\ud14c\u00a0\ub2e4\ube44\ud0c0\uc2dc\uc639\uc758\u00a0\uc0c1\uad00\uc131\uc5d0\u00a0\uad00\ud55c\u00a0\uc5f0\uad6c”,\u00a0\uac74\ucd95\uc5ed\uc0ac\uc5f0\uad6c, 24\uad8c\u00a05\ud638, pp.7-20<\/td><\/tr>
2015<\/td>\ubc15\uc9c4\ud638.\u00a0“\uc77c\ubcf8\u00a0\uc804\ud1b5\uac74\ucd95\uacfc\u00a0\ucf04\ucf54\u00a0\ucfe0\ub9c8(Kengo Kuma)\uc758\u00a0\uac74\ucd95\uc5d0\u00a0\ub098\ud0c0\ub098\ub294\u00a0\ubaa9\uc7ac\u00a0\uc811\ud569\ubc29\uc2dd\uc5d0\u00a0\uad00\ud55c\u00a0\uc5f0\uad6c”,\u00a0\ud55c\uad6d\uc2e4\ub0b4\ub514\uc790\uc778\ud559\ud68c\ub17c\ubb38\uc9d1,\u00a024\uad8c4\ud638, pp.14-22.<\/td><\/tr>
2015<\/td>\ubc15\uc9c4\ud638, “\ub8e8\uc774\uc2a4\u00a0\uce78\uc758\u00a0\ube44\uc815\ud615\uc801\u00a0\uacf5\uac04\u00a0\uad6c\uc131\uc5d0\u00a0\ub098\ud0c0\ub098\ub294\u00a0\uc9c8\uc11c\uc5d0\u00a0\ub300\ud55c\u00a0\uc5f0\uad6c\u00a0–\u00a0\uc131\u00a0\ub3c4\ubbf8\ub2c8\ud06c\u00a0\uc218\ub140\uc6d0\uc744\u00a0\uc911\uc2ec\uc73c\ub85c”,\u00a0\ub300\ud55c\uac74\ucd95\ud559\ud68c\ub17c\ubb38\uc9d1, 31\uad8c6\ud638, pp.85~92.<\/td><\/tr>
2015<\/td>\ubc15\uc9c4\ud638,\u00a0“\uc131\u00a0\uc18c\ud53c\uc544\u00a0\uc131\ub2f9\uc758\u00a0\uae30\ud558\ud559\uc801\u00a0\ubd84\uc11d\uc5d0\u00a0\uad00\ud55c\u00a0\uc5f0\uad6c”,\u00a0\ub300\ud55c\uac74\ucd95\ud559\ud68c\u00a0\ub17c\ubb38\uc9d1, 31\uad8c5\ud638, pp.97~104.<\/td><\/tr>
2015<\/td>\ubc15\uc9c4\ud638, “\ub8e8\uc774\uc2a4\u00a0\uce78(Louis I. Kahn)\uc758\u00a0\ud544\ub77c\ub378\ud53c\uc544(Philadelphia)\u00a0\uc2dc\ud2f0\u00a0\ud0c0\uc6cc(City Tower)\uc5d0\u00a0\ub098\ud0c0\ub098\ub294\u00a0\ud615\ud0dc\u00a0\uad6c\uc131\u00a0\uc6d0\ub9ac\uc5d0\u00a0\uad00\ud55c\u00a0\uc5f0\uad6c”,\u00a0\ub300\ud55c\uac74\ucd95\ud559\ud68c\u00a0\ub17c\ubb38\uc9d1, 31\uad8c4\ud638, pp.135~142.<\/td><\/tr>
2013<\/td>\ubc15\uc9c4\ud638,\u00a0“\ub3c5\uc77c\u00a0\ucfb0\ub978\u00a0\ub300\uc131\ub2f9\uc758\u00a0\ube44\ub840\u00a0\ubd84\uc11d\uc5d0\u00a0\uad00\ud55c\u00a0\uc5f0\uad6c\uac74\ucd95\uc5ed\uc0ac\uc5f0\uad6c, 24\uad8c\u00a02\ud638, pp.7-16.\ubc15\uc9c4\ud638, “Reciprocal Timber Framing Roof Structure: An Alternative Approach to Parametric Designs”,\u00a0AIDIA 13,\u00a0pp.20-29<\/td><\/tr>
2012<\/td>\ubc15\uc9c4\ud638, “\uc911\uad6d \uba85 \uccad\ub300 \ud718\uc8fc\uc9c0\uc5ed \uc8fc\uac70\uc720\ud615\uc758 \ubd84\uc11d \ubc0f \uacf5\uac04\uad6c\uc131 \uc6d0\ub9ac\uc5d0 \uad00\ud55c \uc5f0\uad6c”,\u00a0\uac74\ucd95\uc5ed\uc0ac\uc5f0\uad6c, 21(6), pp.19~34.<\/td><\/tr>
2012<\/td>\ubc15\uc9c4\ud638,\u00a0“\uc0bc\uac01\ud615 \ubd84\ud560\uacfc \uc0ac\uac01\ud615 \ubd84\ud560\uc744 \uc774\uc6a9\ud55c \uc544\ubbf8\uc559 \ub300\uc131\ub2f9\uc758 \ube44\ub840\ubd84\uc11d\uc5d0 \uad00\ud55c \uc5f0\uad6c”,\u00a0\ub300\ud55c\uac74\ucd95\ud559\ud68c\u00a0\ub17c\ubb38\uc9d1\u00a028\uad8c\u00a01\ud638, pp.165-176.<\/td><\/tr>
2011<\/td>\ubc15\uc9c4\ud638, “\ud5dd\uac00\ub9ac \uac74\ucd95\uac00 \uc784\ub808 \ub9c8\ucf54\ubca0\uce20(1935 – )\uc758 \uac74\ucd95\uc5d0 \ub098\ud0c0\ub098\ub294 \ubbfc\uc871\uc8fc\uc758\uc801, \uc720\uae30\uc801 \uc591\uc0c1”,\uac74\ucd95\uc5ed\uc0ac\uc5f0\uad6c, 20(4), pp.29-44.<\/td><\/tr>
2009<\/td>\uc774\ud64d\uaddc, \ubc15\uc9c4\ud638, \ub3d9\uc815\uadfc, \u201c\uc81c\ub098\ud0a4\uc2a4\uc758 \uc74c\uc545\uc801 \uc0ac\uace0\ub97c \uae30\ucd08\ub85c \ud55c \ud544\ub9bd\uc2a4\uad00\uc758 \ud615\ud0dc\uc5d0 \uad00\ud55c \uc5f0\uad6c,\u201d \ub300\ud55c\uac74\ucd95\ud559\ud68c \ub17c\ubb38\uc9d1, 25\uad8c 3\ud638, pp.151~158.<\/td><\/tr>
2009<\/td>\uc774\ud64d\uaddc, \ubc15\uc9c4\ud638, \uc870\uc601\ud638, \u201c\uc81c\ub098\ud0a4\uc2a4\uc758 \uc18c\ub9ac\uc640 \ube5b\uc758 \uac74\ucd95\uc5d0 \uad00\ud55c \uc5f0\uad6c,\u201d \ub300\ud55c\uac74\ucd95\ud559\ud68c \ub17c\ubb38\uc9d1, 25\uad8c 11\ud638, pp.161-168.<\/td><\/tr>
2008<\/td>\uc774\ud64d\uaddc, \ubc15\uc9c4\ud638, \u201c\ub8e8\ub3cc\ud504 \ub9c8\uc774\ud074 \uc270\ub4e4\ub7ec\uc758 \uac74\ucd95\uc5b8\uc5b4\ub97c \uae30\ucd08\ub85c \ud55c \uac00\uad6c \ub514\uc790\uc778\uc758 \ud2b9\uc131\uc5d0 \uad00\ud55c \uc5f0\uad6c,\u201d \ud55c\uad6d\uc2e4\ub0b4\ub514\uc790\uc778\ud559\ud68c\ub17c\ubb38\uc9d1, 17\uad8c 2\ud638, pp.122~129.<\/td><\/tr>
2007<\/td>“Design Evolution and Spatial Composition of Schindler’s Demolished Cabin for Mr. and Mrs. Popenoe of 1922 at Coachella, California,” \uac74\ucd95\ud559\ud68c\uc9c0 \uc601\uc5b4\ub17c\ubb38\uc9d1, Architectural Research, 9(2), pp. 11-18.<\/td><\/tr>
2007<\/td>\ubc15\uc9c4\ud638, \ube44\uc774\ud2b8\ub9ac\uc2a4 \uba54\uc2dc, \u201c\ud5dd\uac00\ub9ac\uc778 \uac74\ucd95\uac00 \uc624\ub3c8 \ub808\ud5c8\ub108\uc758 \ubbfc\uc871\uc9c0\ud559\uc801 \uac74\ucd95\uc5d0 \uad00\ud55c \uc5f0\uad6c,\u201d \uac74\ucd95\uc5ed\uc0ac\uc5f0\uad6c 16(2), pp.7-22.<\/td><\/tr>
2005<\/td>\ubc15\uc9c4\ud638, \uc774\ubb38\uc12d (2005). \u201c\ub8e8\ub3cc\ud504 \ub9c8\uc774\ud074 \uc270\ub4e4\ub7ec\uc758 \ud0b9\uc2a4 \ub85c\ub4dc \uc8fc\ud0dd\uc758 \uacf5\uac04\uad6c\uc131, \uac74\uc124\uacf5\ubc95 \ubc0f \uc7ac\ub8cc\uc758 \uc0ac\uc6a9\uc5d0 \uad00\ud55c \ubd84\uc11d,” \ub300\ud55c\uac74\ucd95\ud559\ud68c\ub17c\ubb38\uc9d1, Vol. 21, No. 10, pp.187-196.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
3. \uad6d\uc81c\ud559\uc220\ub300\ud68c\ubc1c\ud45c\u00a0 (Proceedings)<\/h5>\n\n\n\n
2019<\/td>Superimposition of Subsymmetries and Emergent Designs ,Kanazawa, Japan<\/td><\/tr>
2019<\/td>Adaptive Building Facades: Design Methods and Robotic Fabrication ,Ho Chi Minh, Vietnam<\/td><\/tr>
2019<\/td>Formal Techniques for Emergent Architectural Designs, Ho Chi Minh, Vietnam\u00a0\u00a0<\/td><\/tr>
2019<\/td>Architectural Design Explorations Using Industrial Robotic Arm, Ho Chi Minh, Vietnam\u00a0\u00a0<\/td><\/tr>
2017<\/td>“Design Strategies for Fa\u00e7ade Screens”, Cultural DNA Workshop, KAIST, Daejun, Korea<\/td><\/tr>
2017<\/td>“The Identity and Principles of Traditional Cairene Courtyard Houses, EAAC2017, Tianjin University<\/td><\/tr>
2017<\/td>“The Evolving Transformation of Mashrabiya as a traditional Middle Eastern Architectural Element,\u00a0EAAC2017, Tianjin University, 2017<\/td><\/tr>
2017<\/td>“Underlying Principles and Emerging Designs Based on Magic Squares”, Cultural DNA Workshop, KAIST, 2017\u00a0\u00a0<\/td><\/tr>
2015<\/td>“Freeze Symmetry as an Underlying Principle of Architectural Designs”, Cultural DNA Workshop, KAIST, 2015<\/td><\/tr>
2015<\/td>“The Translation of Idea: Gothic Revival in Korean Church Architecture”, EAAC 2015, Kwangju, Korea, 2015<\/td><\/tr>
2009<\/td>\u201cPotential Applications of Smart Materials in Architecture,\u201d International Symposium on Fusion Tech, Inha University, Incheon, Korea.<\/td><\/tr>
2009<\/td>Le Thi Hong Na and Jin-Ho Park, \u201cClimate Design Feature in Vietnamese Traditional House for Ventilation Purpose\u201d, INTA-SEGA 2009: Bridging Innovation, Technology and Tradition, Bangkok, Thailand<\/td><\/tr>
2009<\/td>Le Thi Hong Na and Jin-Ho Park, \u201cRegional Climate, Local Culture and Imported Style: French Colonial Villas in Dalat, Vietnam\u201d, INTA-SEGA 2009: Bridging Innovation, Technology and Tradition, Bangkok, Thailand.<\/td><\/tr>
2009<\/td>Le Thi Hong Na and Jin-Ho Park, \u201cAdapation Design of Vietnamese Traditional House to meet the Requirements of Comfort Living in Modern Highrise Houses\u201d, UDA2009: Urban Design Asia “Urban Sustainability in Asia”, Seoul, Korea.<\/td><\/tr>
2009<\/td>Le Thi Hong Na and Jin-Ho Park, \u201cThe Emphasis on Passive Design for the Tropical High-rise Housing in Vietnam\u201d, IASDR 2009, Seoul Korea<\/td><\/tr>
2008<\/td>Jihyun Noh, Jin-Ho Park and Youngsoo Kim, \u201cGreen Housing Design Strategies in Korea,\u201d SET2008(7th International Conference on Sustainable Energy Technologies, August 24-27 2008, Seoul.<\/td><\/tr>
2006<\/td>Tony Cao and Jin-Ho Park, “Patterns and Symmetric Characteristics of Traditional Hawaiian Quilt,” Bridge Conference Proceedings<\/em>, 2006 Annual Conference of Bridges: Mathematical Connections in Art, Music and Science, August 4-9, London.<\/td><\/tr>
2006<\/td>Hyung Uk Ahn, Jin-ho Park and Iasef Md Rian, \u201cUnique Local Culture and Regional Construction Technology in Louis I. Kahn\u2019s Two Works: Indian Institute of Management and Bangladesh National Capital Building\u201d The 6th International Symposium on Architectural Interchanges in Asia, Oct. 25-28, 2006, Daegu, Korea.<\/td><\/tr>
2005<\/td>Jin-Ho Park, \u201cSubsymmetry and the Work of Rudolf Michael Schindler,\u201d ORDO ET MENSURA IX (International Interdisciplinary Congress on Historical Metrology)<\/em>, October 20-23 2005, Munich, Germany.<\/td><\/tr>
2005<\/td>Jin-Ho Park, \u201cHighrise Island Housing in Honolulu,\u201d The Sixth International Symposium of the Asia Pacific Architecture<\/em>, June 9-11 2005, Shanghai, China.<\/td><\/tr>
2004<\/td>Jin-Ho Park, \u201cTriangular Planning in Rudolph M. Schindler\u2019s Packard House of 1924,\u201d Nexus V: Architecture and Mathematics<\/em>, June 19-23, 2004, Mexico City, Mexico.<\/td><\/tr>
2004<\/td>Jin-Ho Park, \u201cA Study of Building Fa\u00e7ade in Symmetry\u201d, The 6th Interdisciplinary Symmetry Congress and Exhibition of ISIS (International Society for the Interdisciplinary Study of Symmetry)<\/em>, Budapest and Tihany, Lake Balaton, October 22-29, 2004.<\/td><\/tr>
2003<\/td>Jin-Ho Park and Tony Cao (2003). \u201cA Network Based Housing Design Model,\u201d The Fifth International Symposium on Asia Pacific Architecture<\/em>, University of Hawaii at Manoa, School of Architecture, Honolulu.<\/td><\/tr>
2003<\/td>Okhee An, Hyunjin Kim, and Jin-Ho Park, \u201cIndependent Housing Satisfaction amongst Elderly Female Residents in Korea,\u201dThe Fifth International Symposium on Asia Pacific Architecture<\/em>, University of Hawaii at Manoa, School of Architecture, Honolulu.<\/td><\/tr>
2003<\/td>Okhee An, Hyunjin Kim, and Jin-Ho Park, \u201cFemale Residents and the Elderly Household in Korea: Housing Type and Domestic Behavior Limitation,\u201d The Fifth International Symposium on Asia Pacific Architecture<\/em>, University of Hawaii at Manoa, School of Architecture, Honolulu.<\/td><\/tr>
2003<\/td>Jin-Ho Park, \u201cArraying Alternative Housing Archetypes: An Online Resources\u201d The Joint Meeting of ISAMA 2003 (The International Society of Arts, Mathematics, and Architecture) and the 6th Annual BRIDGES Conference (Bridges \u2013 Mathematical Connections in Art, Music, and Science)<\/em>, University of Granada, Spain, July 23 – 25, 2003.<\/td><\/tr>
2003<\/td>Jin-Ho Park and Jack Sidener, \u201cOn Housing Flexibility and Expandability: A Combined Design and Construction System,\u201dDense Living Urban Structures International Conference on Open Building<\/em>, The University of Hong Kong.<\/td><\/tr>
2002<\/td>Jin-Ho Park, \u201cRudolph .M. Schindler\u2019s Braxton House: The Fibonacci and Lucas Sequence\u201d, The Matomium 2002 Conference<\/em>, Brussels.<\/td><\/tr>
2002<\/td>Jin-Ho Park, \u201cOn Modular Design and Symmetry: The Cases of R. M. Schindler\u2019s housing designs,\u201d The ACSA (Association of Collegiate Schools of Architecture) Technology Conference: Technology and Housing<\/em>, Portland, Oregon.<\/td><\/tr>
2001<\/td>Jin-Ho Park, \u201cTheme and Variations: A Comparative Analysis of Two Housing Designs in Symmetry\u201d, The International Society for the Interdisciplinary Study of Symmetry: The 5th International Congress and Exhibition: Intersections of Art and Science<\/em>, University of New South Wales, Sydney.<\/td><\/tr>
2000<\/td>Jin-Ho Park, \u201cSubsymmetry Analysis and Synthesis of Architectural Design\u201d, Bridge Conference Proceedings<\/em>, The Third Annual Conference of Bridges: Mathematical Connections in Art, Music and Science, Winfield, Kansas.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
4. \uae30\ud0c0 \uc800\uc791 \ubc0f \uac15\uc5f0 (\uc77c\uac04\uc2e0\ubb38, \uac74\ucd95\uc7a1\uc9c0 \ub4f1\uc5d0 \uac8c\uc7ac\ub41c \uc800\uc791\ubb3c \ubc0f \ud2b9\ubcc4\uac15\uc5f0)<\/h5>\n\n\n\n
2020<\/td>\uc778\ucc9c\ub3c4\uc2dc\uc7ac\uc0dd,\u00a0\uc9c0\uc5ed\uc911\uc2ec \ud611\uce58\uac00\ubc84\ub10c\uc2a4 \ubaa8\ub378 \ud544\uc694,\u00a0\uae30\ud638\uc77c\ubcf4(4\uc6d4\u00a06\uc77c)<\/td><\/tr>
2019<\/td>\ucf54\uc624\ub871\u00a0One&Only\u00a0\ud0c0\uc6cc, WIDE, pp.50~57<\/td><\/tr>
2018<\/td>\uc6b4\uc0dd\ub3d9\uc2a4\ub7ec\uc6b4 \uac74\ucd95\ub9cc\ub4e4\uae30\uc5d0 \ub300\ud55c \ubb3c\uc74c,\u00a0\ud55c\uad6d\uac74\ucd95\uc758 \ucd5c\uc804\uc120,\u00a0\uc6b4\uc0dd\ub3d9, Archi-Lab, pp32-35.<\/td><\/tr>
2015<\/td>\uc5f0\uad6c\ub97c \ud1b5\ud55c \uad50\uc721\uc801 \uc2e4\ucc9c – \uac74\ucd95<\/td><\/tr>
2015<\/td>\uc0c1\uc0c1\uc744 \ub514\uc790\uc778\ud558\uace0 \ud604\uc2e4\ub85c \ub9cc\ub4e4\uae30 – \uac74\ucd95\uc0ac, pp 164-169<\/td><\/tr>
2014<\/td>The Gift : One – Details, 37, pp 96-99<\/td><\/tr>
2014<\/td>\uc0c8\ub85c\uc6b4 \uc81c\uc791\ubc29\uc2dd\uc774 \ucd09\ubc1c\ud558\ub294 \uac74\ucd95 \uc9c0\ud615\uc758 \ubcc0\ud654 – SPACE, pp 72-77<\/td><\/tr>
2013<\/td>Another Tree – \uac74\ucd95\ubb38\ud654, 389, pp\u00a0 80-83<\/td><\/tr>
2013<\/td>\uc775\uc219\ud568 \ub4a4\uc5d0 \uc228\uaca8\uc9c4 \ub0af\uc12c – SPACE pp 99-101<\/td><\/tr>
2010<\/td>\uc9d1\ub2f4\ud68c-\ub4dc\ub9bc \ud3ec\ub808\uc2a4\ud2b8, \ub4dc\ub9bc\ub79c\ub4dc\ub97c \ud488\ub2e4 – WIDE, pp 36-56<\/td><\/tr>
2010<\/td>\uac74\ucd95\uacc4, \ubb49\uce58\uba74 \uc8fd\uace0, \ud769\uc5b4\uc9c0\uba74 \uc0b0\ub2e4? – \uac74\ucd95\uc0ac, \ub300\ud55c\uac74\ucd95\uc0ac\ud611\ud68c, 2010.08<\/td><\/tr>
2010<\/td>\uc8fd\uc740\ub3c4\uc2dc\uc5d0\uc11c \uc790\uc5f0\uc21c\ud658\ud615 \uc218\ubcc0\ub3c4\uc2dc\ub85c \uc7ac\ud0c4\uc0dd – \uc2a4\uc6e8\ub374 \uacf5\uc5c5\ub3c4\uc2dc \ud568\ub9c8\ub974\ube44 – \uac15\ub098\ub798, 2010\ub144 8\uc6d4\ud638<\/td><\/tr>
2010<\/td>“\uc720\ub2c8\ubc84\uc124\ub514\uc790\uc778 \uc801\uadf9 \ub3c4\uc785\ud558\uc790,” \uc778\ucc9c\uc77c\ubcf4, 2010\ub144 3\uc6d4 12\uc77c(\uae08)<\/td><\/tr>
2010<\/td>“\uacbd\uc81c\uc790\uc720 \uad6c\uc5ed\uc740 \ub300\ud55c\ubbfc\uad6d\uc758 \ubbf8\ub798,” \uc778\ucc9c\uc77c\ubcf4, 2010\ub144 5\uc6d4 27\uc77c(\ubaa9)<\/td><\/tr>
2010<\/td>\u201c\uc9c0\uc5ed\ud2b9\ud654 \uc804\ub7b5\uacfc \uc7ac\ub798\uc2dc\uc7a5 \uac1c\ubc1c,\u201d \uc778\ucc9c\uc77c\ubcf4, 2010\ub144 8\uc6d4 26\uc77c(\ubaa9)<\/td><\/tr>
2009<\/td>\u201c\uacfc\uac70\uc640 \ud604\uc7ac\uc758 \uacf5\uc874\ud130, \uac1c\ud56d\uc7a5,\u201d \uc778\ucc9c\uc77c\ubcf4, 2009\ub144 12\uc6d4 10\uc77c(\ubaa9)<\/td><\/tr>
2009<\/td>\u201c\uc0b4\uae30 \uc88b\uc740 \ub179\uc0c9\uc778\ucc9c\uc744,\u201d \uc778\ucc9c\uc77c\ubcf4, 2009\ub144 10\uc6d4 28\uc77c(\uc218)<\/td><\/tr>
2009<\/td>\u201c\uc544\ub984\ub2e4\uc6b4 \ud604\ub300\uac74\ucd95\u201d, \uc778\ucc9c\uc2dc\ubbfc\uc758 \uacfc\ud559\ub098\ub4e4\uc774, \uc778\ucc9c\uc885\ud569\ubb38\ud654\uc608\uc220\ud68c\uad00, 2009\ub144 5\uc6d4 30\uc77c.<\/td><\/tr>
2007<\/td>\u201c\uace1\uba74 \uaca9\uc790 \ud615\ud0dc\uc758 \uad50\ucc28\uc2dd \uc9c0\ubd95\uad6c\uc870: \uc774\ub860\uc801 \uace0\ucc30\uacfc \ub514\uc790\uc778 \uc2e4\ud5d8\u201d (\uc0c1), \uac74\ucd95\uc0ac\uc9c0, vol. 457, 2007, 4 \uc6d4\ud638, pp. 95-100.<\/td><\/tr>
2007<\/td>\u201c\uace1\uba74 \uaca9\uc790 \ud615\ud0dc\uc758 \uad50\ucc28\uc2dd \uc9c0\ubd95\uad6c\uc870: \uc774\ub860\uc801 \uace0\ucc30\uacfc \ub514\uc790\uc778 \uc2e4\ud5d8\u201d (\ud558), \uac74\ucd95\uc0ac\uc9c0, vol. 458, 2007, 5\uc6d4\ud638, pp 76-79.<\/td><\/tr>
2005<\/td>\u201c\ub514\uc790\uc778 \ubc29\ubc95\ub860 II: \ube44\ub840\uad00\uacc4,\u201d \uac74\ucd95\uc0ac\uc9c0, vol. 434, 2005, 6\uc6d4\ud638, pp. 88-97.<\/td><\/tr>
2005<\/td>\u201c\ub514\uc790\uc778 \uc2a4\ud29c\ub514\uc624\uc5d0\uc11c\uc758 \ud558\uc6b0\uc9d5 \uac00\ubcc0\uc131\uc758 \uc2e4\ud5d8,\u201d \uac74\ucd95\uc0ac\uc9c0, vol. 437, 2005, 9\uc6d4\ud638, pp. 93-101.<\/td><\/tr>
2005<\/td>“\ucef4\ud4e8\ud130\ub97c \uc774\uc6a9\ud55c \uac00\uc0c1 \uc2e4\ud5d8, \ub124\ud2b8\uc6cc\ud06c\uc5d0 \uae30\ucd08\ud55c \uc790\ubc14\ubaa8\ub378,” \uac74\ucd95\uc0ac\uc9c0, vol. 436, 2005, 8\uc6d4\ud638, pp. 85-91.<\/td><\/tr>
2005<\/td>“\uc270\ub4e4\ub7ec \uc774\ub860\uc758 \ub17c\ub9ac\uc801 \uc801\uc6a9: \ud558\uc6b0\uc9d5\uc758 \ubc30\uce58,” \uac74\ucd95\uc0ac\uc9c0, vol. 435, 2005, 7\uc6d4\ud638, pp. 96-102.<\/td><\/tr>
2005<\/td>“\ub514\uc790\uc778 \uc120\ub840\uc5f0\uad6c \uc270\ub4e4\ub7ec\uc758 \uc791\ud488 ‘\uc270\ub4e4\ub7ec \uc258\ud130\uc5d0 \uad00\ud558\uc5ec,” \uac74\ucd95\uc0ac\uc9c0, Vol. 432, 2005, 4\uc6d4\ud638, pp. 75-81.<\/td><\/tr>
2005<\/td>“\ub514\uc790\uc778 \ubc29\ubc95\ub860I: \ubd80\ubd84 \ub300\uce6d\ub860,” \uac74\ucd95\uc0ac\uc9c0, vol. 433, 2005, 5\uc6d4\ud638, pp. 72-78.<\/td><\/tr>
1999<\/td>\u201cR-2ARCH,\u201d \ud3ec\uc544(POAR), 1999, 10\uc6d4\ud638, 98-107.<\/td><\/tr>
1999<\/td>\u201c\uc564\ub4dc\ub8e8 \uc790\uace0,\u201d \ud3ec\uc544(POAR), 1999, 7\uc6d4\ud638, 98-105.<\/td><\/tr>
1999<\/td>\u201c\uc564\ub354\uc2a8\uacfc \uc564\ub354\uc2a8,\u201d \ud3ec\uc544(POAR), 1999, 3\uc6d4\ud638, 58-67.<\/td><\/tr>
1998<\/td>\u201c\ub178\ub9cc \ubc00\ub7ec\uc640\uc758 \ub300\ud654,\u201d \ud3ec\uc544(POAR), 1998, 11\uc6d4\ud638, pp. 37-44.<\/td><\/tr>
1998<\/td>“\ud06c\ub808\uc774\uadf8 \ud638\uc82f\uacfc\uc758 \ub300\ud654,” \ud3ec\uc544(POAR), 1998, 9\uc6d4\ud638,pp. 39-46<\/td><\/tr>
1998<\/td>\u201c\uc8fc\ub514\uc2a4 \uc0e4\uc778\uacfc\uc758 \ub300\ud654,\u201d \ud3ec\uc544(POAR), 1998, 7\uc6d4\ud638, pp. 46-54.<\/td><\/tr>
1998<\/td>\u201c\ub9c8\ud06c \ub9e5\uacfc\uc758 \ub300\ud654,\u201d \ud3ec\uc544(POAR), 1998, 4\uc6d4\ud638, pp.44-53.<\/td><\/tr>
1998<\/td>\u201c\uc2a4\ud2f0\ube10 \uc5d8\ub9ac\uce58\uc640\uc758 \ub300\ud654,\u201d \ud3ec\uc544(POAR), 1998, 2\uc6d4\ud638, pp.44-50.<\/td><\/tr>
1997<\/td>\u201c\ubab0\ud3ec\uc2dc\uc2a4\uc758 \uc120\ud0c0\uc6cc \ube4c\ub529,\u201d \ud3ec\uc544(POAR), 1997, 12\uc6d4\ud638, pp.65-73.<\/td><\/tr>
1997<\/td>\u201c\uacf5\uac04\uac74\ucd95\uc758 \ubb3c\uc9c8\uc801 \uad6c\uc131\uc694\uc18c\uc5d0 \uad00\ud558\uc5ec,\u201d \ud3ec\uc544(POAR), 1997, 9\uc6d4\ud638, pp. 97-104.<\/td><\/tr>
1997<\/td>“How\uc8fc\ud0dd\uc758 \ubd84\uc11d,” \ud3ec\uc544(POAR), 1997, 7\uc6d4\ud638, pp. 76-83.<\/td><\/tr>
1997<\/td>“\ub300\uce6d\uc744 \uc911\uc2ec\uc73c\ub85c (Symmetry and the Free Public Library, 1920),” \ud3ec\uc544(POAR), 1997, 6\uc6d4\ud638, pp. 56-63<\/td><\/tr>
1997<\/td>“\ube44\ub840\uccb4\uacc4(Reference Frames in Space)\uc5d0 \uad00\ud558\uc5ec,” \ud3ec\uc544(POAR), 1997, 5\uc6d4\ud638, pp. 54-61.<\/td><\/tr>
1997<\/td>“\uacf5\uac04\uac74\ucd95(Space Architecture)\uc5d0 \uad00\ud558\uc5ec,” \ud3ec\uc544(POAR), 1997, 4\uc6d4\ud638, pp. 58-65.<\/td><\/tr>
1997<\/td>“\uc270\ub4e4\ub7ec \uadf8\ub294 \ub204\uad6c\uc778\uac00,” \ud3ec\uc544(POAR), 1997, 3\uc6d4\ud638, pp. 92-97.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
<\/div>\n\n\n\n
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\n

\ud559\uc220\ub17c\ubb38\uc778\uc6a9 (CITATIONS OF WORK)<\/strong><\/strong><\/strong><\/strong><\/h2>\n\n\n\n
2006<\/td>Jorge Otero-Palos, \u201cNorberg-Schulz\u2019s House: The Modern Search for Home through Visual Patterns,\u201d Byggekunst, July 2006.<\/td><\/tr>
2003<\/td>Lionel March, \u201cRudolph M. Schindler: Space Reference Frame, Modular Coordination and the Row,\u201d Nexus Network Journal: Architecture and Mathematics <\/em>(NNJ), Vol. 5, No. 2.<\/td><\/tr>
2002<\/td>Lionel March, \u201cMathematics and Architecture since 1960,\u201d in K. Williams, J. F. Rodrigues eds. Nexus IV: Architecture and Mathematics<\/em>, KWB, Florence.<\/td><\/tr>
2002<\/td>\u201cInnovative Architecture: What lies ahead,\u201d Building Industry Magazine<\/em>, April 2002, pp. 30-32. (University of Hawaii students\u2019 studio works)<\/td><\/tr>
2002<\/td>Vera W. De Spinadel, \u201cSymmetry Groups in Mathematics, Architecture and Art,\u201d Matomium Proceedings, Brussels.<\/td><\/tr>
2001<\/td>Chris Earl, \u201cSymmetry and Equality of shapes,\u201d Visual and Spatial Reasoning in Design II, eds, John S Gero<\/a>, Barbara Tversky and Terry Purcell<\/a>, Key Centre of Design Computing and Cognition, University of Sydney<\/td><\/tr>
2001<\/td>Athanosios Economou, \u201cFour Algebraic Structures in Design,\u201d ACADIA Proceedings, Buffalo, New York, pp. 192-201.<\/td><\/tr>
2001<\/td>Judith Sheine, RM Schindler<\/em>, Phaidon Press Ltd., London.<\/td><\/tr>
2001<\/td>Elizabeth A.T. Smith and Michael Darling, ed. The Architecture of R.M. Schindler<\/em>, The Museum of Contemporary Art, Los Angeles (MOCA), p. 84.<\/td><\/tr>
–<\/td>Lionel March, \u201cMusic for the Eyes: Schindler in Proportion\u201d, Kenchiku Bunka<\/em>, Vol. 54, No. 635, pp. 138-143, Tokyo.<\/td><\/tr>
1999<\/td>Lionel March, \u201cRM Schindler \u2013Residence R.M.S., Hollywood, CA, 1921-22 and Residence for Mr. And Mrs. E. How, LA, CA,\u201dGlobal Architecture<\/em>, Tokyo.<\/td><\/tr>
1998<\/td>Lionel March, Architectonics of Humanism: Essays on Number in Architecture<\/em>, John Wiley & Son Ltd, New York.<\/td><\/tr>
1998<\/td>Judith Sheine, R.M. Schindler<\/em>, Editorial Gustavo Gill, SA, Barcelona.<\/td><\/tr>
1998<\/td>Judith Sheine, 1998, RM Schindler: ten houses, 2G, International Architectural Review<\/em>, Barcelona.<\/td><\/tr>
1996<\/td>James Steele, How House-RM Schindler<\/em>, Academy Editions, New York.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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\uae30\ud0c0 \uacbd\ub825 (Other Activities<\/strong>)<\/strong><\/strong><\/strong><\/strong><\/h2>\n\n\n\n
2017 – 2019 <\/td>\uc778\ucc9c\uc2dc \uac74\ucd95\uc704\uc6d0\ud68c \uc704\uc6d0<\/td><\/tr>
2017 – 2019\u00a0<\/td>\uc778\ucc9c\uc2dc \ub3c4\uc2dc\uac74\ucd95\uacf5\ub3d9\uc704\uc6d0\ud68c \uc704\uc6d0<\/td><\/tr>
2017<\/td>\uc870\ub2ec\ucca0 \uae30\uc220\uc790\ubb38\uc704\uc6d0\ud68c \uc124\uacc4\uc2ec\uc758\ubd84\uacfc\uc704\uc6d0<\/td><\/tr>
2017<\/td>LH(\ud1a0\uc9c0\uc8fc\ud0dd)\uacf5\uc0ac \uc2ec\uc0ac\uc704\uc6d0<\/td><\/tr>
2016 – 2017\u00a0 \u00a0 \u00a0\u00a0<\/td>\uac74\ucd95\uc5ed\uc0ac\ud559\ud68c \uc0c1\uc784\uc774\uc0ac<\/td><\/tr>
2015 – 2016\u00a0 \u00a0<\/td>\u00a0\uc11c\uc6b8\uc2dc \ub3c4\uc2dc\uc7ac\uc815\ube44\uc704\uc6d0\ud68c \uc704\uc6d0<\/td><\/tr>
2015 – 2018\u00a0 <\/td>\ud55c\uad6d\ud658\uacbd\uacf5\ub2e8 \uae30\uc220\uc790\ubb38\uc704\uc6d0\ud68c \uc704\uc6d0<\/td><\/tr>
2014 – 2015\u00a0 <\/td>Space Academia \ud3b8\uc9d1\uc704\uc6d0<\/td><\/tr>
2014 – 2018\u00a0\u00a0 <\/td>\uc2ec\uc6d0\uac74\ucd95\ud559\uc220\uc0c1 \uc6b4\uc601\uc704\uc6d0 \ubc0f \uc2ec\uc0ac\uc704\uc6d0<\/td><\/tr>
2014 – 2015<\/td>\uc778\ud558\ub300\ud559\uad50 \ub300\ud559\uc6d0 \ubd80\uc6d0\uc7a5<\/td><\/tr>
2014<\/td>\uc0bc\uc120\ubb3c\uc0b0 \uc8fc\ud0dd\uc704\uc6d0\ud68c \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2013 – 2015<\/td>\uac74\ucd95\uc5ed\uc0ac\ud559\ud68c \uc774\uc0ac<\/td><\/tr>
2013 – 2016<\/td>\ud658\uacbd\uacf5\ub2e8, \ud658\uacbd\uc2dc\uc124\ubbfc\uc790\uc0ac\uc5c5 \ud3c9\uac00\uc704\uc6d0<\/td><\/tr>
2013 – 2015<\/td>\ud55c\uad6d\uad6d\uc81c\ud611\ub825\ub2e8(KOICA) \uae30\uc220\ud3c9\uac00\uc704\uc6d0<\/td><\/tr>
2013 – 2015<\/td>\uc11c\uc6b8\uc2dc \uacf5\uacf5\uac74\ucd95\uac00<\/td><\/tr>
2013 – 2015<\/td>\uc11c\uc6b8\uc2dc \uac74\ucd95\uc704\uc6d0\ud68c \uc704\uc6d0<\/td><\/tr>
2013 – \ud604\uc7ac<\/td>\uc778\ucc9c\uacbd\uc81c\uc790\uc720\uad6c\uc5ed\uccad \uc704\uc6d0<\/td><\/tr>
2013 – \ud604\uc7ac<\/td>Open House International (SSCI, A&HCI) \ud3b8\uc9d1\uc704\uc6d0<\/td><\/tr>
2012 – 2013<\/td>LH(\ud1a0\uc9c0\uc8fc\ud0dd)\uacf5\uc0ac \uc124\uacc4\uc804\ub2f4\uc2ec\uc758\uc704\uc6d0<\/td><\/tr>
2012 – 2014<\/td>\uc6d0\ub3c4\uc2dc\uc544\uce74\ub370\ubbf8\uc138\ubbf8\ub098 \uc6b4\uc601\uc704\uc6d0<\/td><\/tr>
2012 – 2014<\/td>\uc778\ucc9c\uc2dc\uac74\uc124\uae30\uc220\uc2ec\uc758\uc704\uc6d0\ud68c \uc124\uacc4\uc2ec\uc758\ubd84\uacfc\uc704\uc6d0<\/td><\/tr>
2011 – 2013<\/td>\uc11c\uc6b8\uba54\ud2b8\ub85c \ub514\uc790\uc778\uc704\uc6d0<\/td><\/tr>
2011 – 2013<\/td>\uc81c\uc8fc\uad6d\uc81c\uc790\uc720\ub3c4\uc2dc\uac1c\ubc1c\uc13c\ud130, \uc124\uacc4\uc790\ubb38\uc704\uc6d0\ud68c, \uc124\uacc4\uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2011 – 2013<\/td>\ud55c\uad6d\uac74\uc124\uad50\ud1b5\uae30\uc220\ud3c9\uac00\uc6d0 \ud3c9\uac00\ub2e8 \ud3c9\uac00\uc704\uc6d0, \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2011 \u2013 2013<\/td>\uc11c\uc6b8\uc2dc \uac15\ub0a8\uad6c \ub3c4\uc2dc\ub514\uc790\uc778 \uc704\uc6d0\ud68c \uc704\uc6d0<\/td><\/tr>
2011 \u2013 2013<\/td>\uc778\ucc9c \ub3c4\uc2dc\uac1c\ubc1c\uacf5\uc0ac \uc124\uacc4\uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2011 \u2013 2012<\/td>Editorial Member, Journal of Asian Architecture and Building Engineering<\/td><\/tr>
2011 \u2013 2013<\/td>U – \uc778\ucc9c\ud3ec\ub7fc, S – \uacf5\uac04 \ubd84\uacfc\uc704\uc6d0\uc7a5<\/td><\/tr>
2010 \u2013 2012<\/td>\uc11c\uc6b8\uc2dc \uac74\ucd95\uc704\uc6d0\ud68c \uc704\uc6d0<\/td><\/tr>
2010 \u2013 2013<\/td>\uc870\ub2ec\uccad \uc124\uacc4\uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2010 \u2013 2012<\/td>\ud55c\uad6d\uac74\ucd95\uac00\ud611\ud68c, \uc774\uc0ac \ubc0f \uc815\ucc45\uc704\uc6d0\uc7a5<\/td><\/tr>
2010 \u2013 \ud604\uc7ac<\/td>(\uc0ac)\uc0c8\uac74\ucd95\uc0ac\ud611\uc758\ud68c, \uc0c1\uc784\uc774\uc0ac \ubc0f \uad50\uc721\uc704\uc6d0\uc7a5<\/td><\/tr>
2010 <\/td>\uc11c\uc6b8\uc2dc\uac74\ucd95\ubb38\ud654\uc81c \uc9d1\ud589\uc704\uc6d0<\/td><\/tr>
2010 \u2013 2011<\/td>\ud55c\uad6d\ud604\ub300\uac74\ucd95\uc804 \uc544\uc2dc\uc544 \uc804 (\ubb38\ud654\uad00\uad11\ubd80) \ucd1d\uad04\uae30\ud68d(Organizer)<\/td><\/tr>
2009 \u2013 2010<\/td>\uc11c\uc6b8\ud2b9\ubcc4\uc2dc \uc131\ub3d9\uad6c, \u2018\ub3c5\uc11c\ub2f9\uae38 \uc5ed\uc0ac\uc640 \ubb38\ud654\uc758\uac70\ub9ac \uc870\uc131\uc0ac\uc5c5\u2019, MP<\/td><\/tr>
2009 <\/td>\uad6d\ud1a0\ud574\uc591\ubd80 \uc704\ucd09 \ub3c4\uc2dc\ub514\uc790\uc778\uc2dc\ubc94\uc0ac\uc5c5 \ubbfc\uac04\uc804\ubb38\uac00<\/td><\/tr>
2009 \u2013 2011<\/td>\uc11c\uc6b8\uc2dc\ub514\uc790\uc778\uc704\uc6d0\ud68c, \uc704\uc6d0<\/td><\/tr>
2009 \u2013 2012<\/td>\uad6d\ud1a0\ud574\uc591\ubd80 4\ub300\uac15 \uc0b4\ub9ac\uae30, \uacbd\uad00\ubd84\uacfc \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2009 \u2013 2011<\/td>\uc778\ucc9c\uad11\uc5ed\uc2dc \uac74\ucd95\uc704\uc6d0\ud68c, \uc704\uc6d0<\/td><\/tr>
2009 \u2013 \ud604\uc7ac<\/td>\ud55c\uad6d \uac74\ucd95\ud559\uc778\uc99d\uc6d0 \uc2e4\uc0ac\ud300<\/td><\/tr>
2009 \u2013 2010<\/td>(\uc0ac)\uc0c8\uac74\ucd95\uc0ac\ud611\ud68c\uc9c0, ‘\uac74\ucd95\uacfc \uc0ac\ud68c’, \ud3b8\uc9d1\uc704\uc6d0\uc7a5<\/td><\/tr>
2008 \u2013 2012<\/td>Kintex \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2008 \u2013 2012<\/td>\ud55c\uad6d\ucca0\ub3c4\uc2dc\uc124\uacf5\ub2e8 \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2008 \u2013 2012<\/td>\ud658\uacbd\uad00\ub9ac\uacf5\ub2e8 \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2008 \u2013 2009<\/td>\ud55c\uad6d \uac74\ucd95\uac00\ud611\ud68c \uac74\ucd95\uc124\uacc4\ubd84\uacfc, \ubd80\uc704\uc6d0\uc7a5<\/td><\/tr>
2008 \u2013 2011<\/td>\ub514\uc790\uc778\uc11c\uc6b8\ud3ec\ub7fc, \uc704\uc6d0<\/td><\/tr>
2008 \u2013 2012<\/td>\uc1a1\ub3c4 \uad6d\uc81c\ub3c4\uc2dc \uac74\ucd95\uc704\uc6d0\ud68c, \uc704\uc6d0 \ubc0f 151\uce35 \uc778\ucc9c\ud0c0\uc6cc, \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2008 \u2013 \ud604\uc7ac<\/td>\uc778\ucc9c\uc2dc \uc5f0\uc218\uad6c, \uac74\ucd95\uc2ec\uc758\uc704\uc6d0<\/td><\/tr>
2008 \u2013 2010<\/td>\uc778\ucc9c\uc2dc \ubd80\ud3c9\uad6c, \ub3c4\uc2dc\uacc4\ud68d\uc704\uc6d0, \ub3c4\uc2dc\ub514\uc790\uc778\uc790\ubb38\uc704\uc6d0, \uad6c\uc815\ubc1c\uc804\uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2008 \u2013 2010<\/td>\ub300\ud55c\uac74\ucd95\ud559\ud68c\uc9c0, ‘\uac74\ucd95’ \ud3b8\uc9d1\uc704\uc6d0<\/td><\/tr>
2007 \u2013 \ud604\uc7ac<\/td>\uc778\ucc9c\uc2dc \ub0a8\ub3d9\uad6c, \uac74\ucd95\uc2ec\uc758\uc704\uc6d0<\/td><\/tr>
2007 \u2013 \ud604\uc7ac<\/td>\uc778\ucc9c\uc2dc \ub0a8\uad6c, \uac74\ucd95\uc2ec\uc758\uc704\uc6d0<\/td><\/tr>
2007 \u2013 2010<\/td>(\uc0ac)\uc0c8\uac74\ucd95\uc0ac\ud611\ud68c\uc9c0, \u201c\uac74\ucd95\uacfc \uc0ac\ud68c\u201c \ud3b8\uc9d1\uc704\uc6d0<\/td><\/tr>
2007 \u2013 2011<\/td>\uac74\ucd95\uc124\uacc4\uad50\uc218\ud68c, \uc774\uc0ac<\/td><\/tr>
2007 \u2013 2010<\/td>\uc778\ucc9c \uc5b4\ub9b0\uc774\uacfc\ud559\uad00 \uac74\ub9bd\ucd94\uc9c4, \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2007<\/td>\uac15\ub0a8\uad6c \uac15\ub0a8\ub300\ub85c \ud2b9\ud654\uac70\ub9ac, \uc790\ubb38\uc704\uc6d0<\/td><\/tr>
2006 \u2013 2009<\/td>\uc11c\uc6b8\uc2dc \uac15\ub0a8\uad6c, \uac74\ucd95\uc2ec\uc758\uc704\uc6d0<\/td><\/tr>
2006 \u2013 2008<\/td>\ud55c\uad6d\ud0dc\uc591\uc5d0\ub108\uc9c0\ud559\ud68c, \uc774\uc0ac \ubc0f \ud0dc\uc591\uc5f4\uacf5\ubaa8\uc804, \uc900\ube44\uc704\uc6d0<\/td><\/tr>
2006 \u2013 2007<\/td>\ub300\ud55c\uac74\ucd95\ud559\ud68c \uad6d\uc81c\uad50\ub958\uc704\uc6d0\ud68c, \ubd80\uc704\uc6d0\uc7a5<\/td><\/tr>
2006 \u2013 2008<\/td>\ub300\ud55c\uac74\ucd95\ud559\ud68c\uc9c0, \u2018\uac74\ucd95\u2019 \uac04\uc0ac<\/td><\/tr>
2006 \u2013 2010<\/td>\ub300\ud55c\uac74\ucd95\ud559\ud68c \uc601\uc5b4\ub17c\ubb38\uc9d1(Architectural Research), \ud3b8\uc9d1\uc704\uc6d0<\/td><\/tr>
2004 \u2013 2005<\/td>Nexus Network Journal, Birkhauser, \ud3b8\uc9d1\uc704\uc6d0(Editorial Board)<\/td><\/tr>
2001 \u2013 2003<\/td>Member of the Advisory Board, The International Society for the Interdisciplinary Study of Symmetry (ISIS-Symmetry)<\/td><\/tr>
2001<\/td>\uc81c4\ud68c \uc544\uc2dc\uc544 \ud0dc\ud3c9\uc591 \uac74\ucd95 \uc2ec\ud3ec\uc9c0\uc5c4, \ubbf8\uad6d \ud558\uc640\uc774(Hawaii, USA), \uc758\uc7a5<\/td><\/tr>
2000<\/td>\ubbf8\uad6d \uac74\ucd95\uac00 \ud611\ud68c (AIA) \ud558\uc640\uc774\ub514\uc790\uc778\uc0c1, \uc2ec\uc0ac\uc704\uc6d0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\n<\/div>\n\n\n\n
\n

WORKSHOPS & CHARRETTES<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong>2018\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/h2>\n\n\n\n
2018<\/td>\ub9c8\ud06c \ub9e5(Mark Mack) \uc6cc\ud06c\uc20d,\u00a0Public Performance, \uc778\ud558\ub300\ud559\uad50<\/td><\/tr>
2011<\/td>Ken Yeang (Malaysia and London), Vertical Ecocity, \uc778\ud558\ub300\ud559\uad50<\/td><\/tr>
2011<\/td>Martin Bechthold (\ud558\ubc84\ub4dc\ub300\ud559\uad50), Ceramic Futures, \uc778\ud558\ub300\ud559\uad50<\/td><\/tr>
2010<\/td>Obuchi Yusuke (\ub3d9\uacbd\ub300\ud559\uad50), Critical Mass, \uc778\ud558\ub300\ud559\uad50<\/td><\/tr>
2010<\/td>\ubaa9 \uad6c\uc870 \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: Parasite 3), 2010\ub144 3-5\uc6d4, \uce90\ub098\ub2e4\uc6b0\ub4dc \ud611\ucc2c<\/td><\/tr>
2010<\/td>\uc2dc\uac8c\ub8e8 \ubc18(Shigeru Ban) \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: A Shelter for Haiti), \uc778\ud558\ub300\ud559\uad50, 2010\ub144 2\uc6d4.<\/td><\/tr>
2009<\/td>BIG \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: Floating Spirits), \uc778\ud558\ub300\ud559\uad50, 2010\ub144 6\uc6d4.<\/td><\/tr>
2008<\/td>\uc5d0\ub9ad \uc624\uc5d4 \ubaa8\uc2a4(Eric Owen Moss) \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: Recollecting forward in Seoul: Old Wall, New City; Old City, New Wall), \uc778\ud558\ub300\ud559\uad50 2008\ub144 11\uc6d4.<\/td><\/tr>
2008<\/td>\ud1a0\ub9c8\uc2a4 \uc26c\ub85c\uc5d0\ud37c(Thomas Schroepfer) \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: Design Materiality: New Concepts for Exploration), \uc778\ud558\ub300\ud559\uad50 2008\ub144 6\uc6d4.<\/td><\/tr>
2007<\/td>\ub9c8\ud06c \ub9e5(Mark Mack) \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: Expired Housing), \uc778\ud558\ub300\ud559\uad50 2007\ub144 10\uc6d4.<\/td><\/tr>
2006<\/td>\uce58\ubc14 \ub9c8\ub098\ubd80(Chiba Manabu) \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: The Visual Body and The Moving Body), \uc778\ud558\ub300\ud559\uad50 2006\ub144 6\uc6d4.<\/td><\/tr>
2005<\/td>\uc288\ud5e4\uc774 \uc5d4\ub3c4 (Shuhei Endo) \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: Paramodern\/Springtecture), \uc778\ud558\ub300\ud559\uad50 2005\ub144 6\uc6d4.<\/td><\/tr>
2001<\/td>\ub9c8\ud06c \ub9e5(Mark Mack) \uc6cc\ud06c\uc20d, (\uc8fc\uc81c: Tropical Housing), \ud558\uc640\uc774\uc8fc\ub9bd\ub300\ud559\uad50, \uac74\ucd95\ub300\ud559, 2001\ub144 12\uc6d4.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\ubc15 \uc9c4 \ud638\u00a0Jin-Ho Park, Ph.D.  Address : Department of Architecture, Inha University#253 Yonghyun-dong, Nam-gu, Incheon 402-751 KoreaTelephone : +82-32-860-7597E-mail : jinhopark@inha.ac.krHomepage : http:\/\/www.jinhopark.co.kr \uad50\uc721\uacbd\ub825\u00a0(TEACHING EXPERIENCE) 2004-\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \uc778\ud558\ub300\ud559\uad50 \uac74\ucd95\ud559\uacfc \uad50\uc218\u00a0 Professor Department of Architecture, Inha University, Korea 2014-2015 \uc778\ud558\ub300\ud559\uad50, \ub300\ud559\uc6d0, \ubd80\uc6d0\uc7a5 Vice Dean, Graduate Division 2010-2012 \uc778\ud558\ub300\ud559\uad50, \uacf5\uacfc\ub300\ud559, \uac74\ucd95\ud559\ubd80, \ud559\ubd80\uc7a5 Chair, Department of Architecture and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/d-lab.kr\/index.php?rest_route=\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/d-lab.kr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/d-lab.kr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/d-lab.kr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/d-lab.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38"}],"version-history":[{"count":16,"href":"https:\/\/d-lab.kr\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":1488,"href":"https:\/\/d-lab.kr\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions\/1488"}],"wp:attachment":[{"href":"https:\/\/d-lab.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}